There are a couple of easy access features from the PluralEyes panel in Premiere Pro (or other NLEs), you can colour code un-synced clips and send them to the end of the timeline-a nice feature for quickly organising your timelines.Įxpanding on my last bullet point, it seems as if the analysing process is now faster in PluralEyes 4.0.
PluralEyes 4.0 is even quicker the audio sync software now opens in a panel within Premiere Pro, meaning you don’t even have to enter a standalone piece of software: After syncing had completed, a click of the export button would close the program and return you to Premiere Pro with some newly made timeline in your project bin. Previous link up with NLE programs was pretty quick and easy one extension click in Premiere Pro and your timeline was importing into an auto-opened PluralEyes. I completely agree that the previous PluralEyes tries a little too hard in emulating an NLE interface I simply want to sync my clips and get out of there. They’ve stripped the interface right back, removed the unnecessary user input for ‘how hard’ the software works & added Audio Drift Correction as standard. It’s clear Red Giant took a step back and reviewed PluralEyes from a user point of view. The last point maybe a little ambiguous but I will explain later. Improved support for NLE software like FCP X and Premiere Pro CC.Auto analyse alleviates un-necessary user selection.Below you’ll find some of the key points:
So what does PluralEyes 4.0 bring us? I currently use 3.0 and was excited to learn a little more about the new features this update will bring. The process is simple: it analyses similarities within audio tracks (you need reference audio for every video track) and matches them up, saving you hours of manually syncing multiple files. Whether it’s a single camera and audio recorder, or MultiCam setup with several audio sources. PluralEyes 4.0 simplifies its interface, alleviating confusing controls and adding faster, more streamlined workflows with Premiere Pro CC and Final Cut Pro X.įor those who don’t know, PluralEyes is a very useful tool for syncing audio and video. I’ve tried all kinds of different settings in the Create Multi-Camera Source Sequence menu and nothing is working.Red Giant has announced PluralEyes 4.0, a sleek new update to the audio sync software. Flattening doesn’t bring back track two, even though it’s definitely there when I open the multi-cam clip in it’s own timeline. I only seem to get whatever was on track one. The problem is when I try to flatten the multicamera clips. I can bring the multicamera clip into a cut timeline and QW edit as you show. When I open the multicamera clip in a timeline, I see the two dual system tracks properly synced to the video clip with its audio muted. Here’s my setup:Ĭreating a multi-camera source sequence seems to work properly. I’m having difficulty getting my multicam source sequence working properly with two different dual system synced audio sources. That is because often times I need to come back to that sequence and create different versions of that video (let’s say a 1 minute square version for Instagram). I also do not flatten my multi-cam, even after color grading and transitions adding.
It contains all my source clips exactly in the same folder hierarchy I have made, plus a multi-cap sequence that is ready to be nested in another sequence and multi-cam enabled and be cutted using keyboard shortcuts (1,2,3,4,5). Then it gives me an xml file to be imported into Premiere CC. Few seconds and it synchronizes everything very smartly. I also drag the Final audio I have got from the audio man, and click synchronize. Then after import, while each camera was copied into ints own folder, I drag the folders to PluralEyes 4. My setup was to record from 5 cameras during a 1 hour event.
I used to use Premiere CC’s built in Synchronization feature until I discovered PluralEyes 4. It seems to me PluralEyes 4 is much more accurate and faster while syncing clips from cameras from different angles. Books on Premiere Pro and After Effects.Workshop: Build a Motion Graphics package for your company.Let me create Motion Graphics Templates for your company.Motion Graphic Templates for Premiere Pro.Workshop: Build a Motion Graphics package for your company (EN).Create Lottie animations for apps and the web in After Effects.Premiere Pro and After Effects Training (EN).Workshop: Lag Videografikk-pakke til din bedrift.Kurs i lydmiks og lydfiksing in Adobe Audition.Lær å lage Lottie-animasjoner for apper og web i After Effects.After Effects kurs for viderekomne (NO).